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Crowded subway stations, with their dimly lit film-noir interiors, have always offered a dynamic visual playground for photographers. Commuters, just trying to get from one place to another in the quickest way possible, rush past, taking little notice of a camera pointed at them. Lost in their own thoughts, those who ride the subway often appear distant, world-weary, or disaffected. Subway commuters, superficially at least, seem to differ very little from one another, regardless of wherein the world they are commuting. Moscow Metro, however, offers us something more.